My creative work in stage one includes print making, sculpture, installation, photography, moving image and sound design.I believe that each of these disciplines is essential in forming a cohesive line of thought, each reflecting an individual perspective and mode of interpretation, unified in the mind of my audience. These forms complement and serve as contrasts to one another, highlighting a range of unexplored possibilities that support my current practices, and are constantly evolving to influence my work in the future. Acrossing stage one and In my work in general, I always endeavor to question contemporary issues in a direct way, and through this questioning, I aim to evoke critical discussions which my audience can resonate with easily.
With my praactice, I aim to provide my audiences with a very clear and ordered atmosphere by applying symbolic elements with geometric structures, solid lines and simplified colours, encouraging them to engage and interact with my visual pieces. In my practice, I work with various materials and techniques, and explore restructuring and creating different combinations, for example in my recent project, I projected moving images on a sculpture made with plaster and foil. The projected video, with a solid red colour, creates an interesting relationship between the audience and the sculpture ― they are the audience and they are also part of the sculpture.
Through my work, I aim to expose core truths evident in the world around me, but which often obfuscated by the pace and incessant bombardment of modern communication platforms. For example, in my Manifesto project, I drew from the Swiss artist Fabian Oefner’s work to, instead of deconstruct the tools with which the external world is captured and conveyed, deconstruct the products of such devices, reverting them from an intangible form of information to physical compositions that can be dissected and analyzed from multiple angles, thus prompting my audience to contemplate the veracity, agenda, structure, and comprehensive effect of the media on global opinions and political and societal evolution.
I find myself drawn to concepts that surpass the restrictions of culture, class, and status; ubiquitous themes that pervade all societies and that even the most marginalized among us can relate to. I’m equally influenced by everyday objects, events, people, poetry and artists and observations, and in the next coming stage, I plan to keep investigating different techniques to use in my practice in order to communicate with my audience in a productive and engaging way, as I strive to speak for the voiceless, challenge fallaciously prescribed norms, and make sense of a world that grows in complexity with each passing day.
In stage two I hope to further develop project 2 and 3,with more critical thinking and research method.
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